TAMRON LENS

$50.00

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The only wideangle zoom designed for use on APS-C DSLRs (Digital Rebel XT/XTi and EOS 20D/30D). Gives an angle of view range equivalent to that of a 16-35 zoom on a full frame 35mm camera.

The EF-S 10-22 is a very good lens. Low distortion, good sharpness and flare resistance. It's my standard wideangle on my EOS 20D

The EF 16-35/2.8L II is the premium ultrawide EOS zoom for full frame cameras. On a 20/30D or XT(i) it's equivalent to a 25.6-56, still a very useful fast, wideangle zoom

The 17-40/4L is an excellent lens and significantly cheaper than the 16-35/2.8L. If you don't need the speed of the f2.8, this is Canon's best wideangle zoom. Equivalent to 27-64 when used on a 20/30D or XT(i)

Maybe the best "all around" consumer lens for APS-C digital cameras, this lens has the same coverage as a 24-136mm would on a full frame camera. It also features Image Stabilization which gives an extra 3 to 4 stops of "handholdability". It's especially useful when traveling with a minimum of equipment.

Note this is an EF-S series lens, for use only on Digital Rebels and the EOS 40D/50D/7D

Canon's best mid range wide-short tele zoom. Fast and sharp. On a 20/30D or XT(i) it becomes a mid range zoom from 38-112, so it loses it's wideangle coverage but makes a great normal and portrait lens.

As above but without Image Stabilization. If you don't handhold the lens at slower shutter speeds you can save more than $500 with this non-IS version.

Canon took the already very good 70-200/4L and not only added image stabilization but also made the optics even better. This is now one of Canon's sharpest lenses and with the very effective IS it's very handholdable, even at 200mm and even with a TC attached.

Canon's least expensive "L" series lens. One stop slower than the f2.8 version, but half the price. It takes the Canon 1.4x and 2x TCs if you need a longer reach.

Fisheye lenses are fun, if used in moderation! This will give you a 180 degree diagonal field of view on a full frame 35mm camera. On a 1.6x crop camera the fisheye effect is less pronounced and it can even be used as a conventional wideangle with a little help from Photoshop to correct the fisheye "distortion"!

2/3 stop faster than the 50/1.8, plus it has a USM motor (but not a ring USM). If you're addicted to fast lenses this is Canon's cheapest f1.4 at around $300. (the 24/1.4 is $1100).

On an APS-C digital body (Rebel/20D/30D) it makes an excellent portrait lens, giving the same view and speed as an 80/1.4 lens would on a full frame camera.

This is the prime portrait lens for full frame cameras if cost and size aren't an issue. It's bigger and heavier than the f1.8 version and it focuses slower, but at f1.2 it's also 1.3 stops faster and will blur out backgrounds better.

A very sharp tilt/shift short telephoto. Ideal for product photography where distortion DOF needs to be controlled.

NOTE: This is an EF-S lens for use only with the EOS 20D/30D and Digital Rebels

On an APS-C camera, this is approximately equal to a 100/2.8 macro on full frame. The advantage over the 50/2.5 macro is that it goes to 1:1 magnification (the 50/2.5 only goes to 1:2 without a special optical adapter).

Canon's new "L" series 100mm macro with hybrid IS which is specially designed to optimize stability for macro work.

A telephoto macro gives you quite a bit more working distance, as well as doubling as a telephoto lens. This lens can be used with Canon's 1.4x and 2x TCs for more magnification or a longer telephoto reach.

Canon's premium speedlite with every bell and whistle they could think of. It can act as a master controller or a slave in a wireless flash system. If you want the ultimate Canon shoe mount flash, this is the one. Optimized for digital use, it recognizes if the body is full frame or APS-C and adjust flash zoom accordingly. It can also pass along color temperature information to the body for better color balance

An update of the 430EX, the 430Ex II adds a metal shoe with the same locking mechanism as the Speedlite 580EX II and 1/3 EV step output control in manual mode. The 430EX II can also be fully configured via the rear LCD menus of recent Canon digital SLRs as well as from it's own LCD control panel. The recycling time of the 430EX II is 20% faster than the 430EX and recycling is quieter.

The Macro Twin Lite gives serious close-up, nature, and macro enthusiasts a different option in macro lighting-a directional quality of light, as opposed to the rather "flat" character of the traditional ring lite. Two separate flash heads can be swiveled around the lens, can be aimed separately, and even removed from their holder and mounted off-camera.

Circular twin flash tubes can fire at even power, or varied between them over a six-stop range, and one or more 580EX Speedlites can be used as wireless slaves along with the MR-14EX. The controller unit now has an illuminated full-info LCD panel and its accepts optional hi-capacity battery packs.