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 1 
 on: December 17, 2014, 09:42:14 PM 
Started by mjperini - Last post by Bob Atkins
Thanks for the update.

Just a reminder that DPP4.0 will not run under Windows XP (32 bit). I know...I tried!

 2 
 on: December 17, 2014, 04:15:57 PM 
Started by mjperini - Last post by mjperini
Re DPP 4.1.50
A serial # for a SUPPORTED Camera is required for download. I did so for a 7D
I also confirmed that the 1DsIII is NOT supported (at least at this time) Which is too bad. A tip of the hat to a recent flagship camera would have been nice.
But the good news is, that true to their word, several new cameras have been added including the 1D IV, 70D, 5D II, 700D, and 100d
Michael

 3 
 on: December 17, 2014, 03:53:19 PM 
Started by mjperini - Last post by mjperini
New version of DPP4 is being reported by CPN canon Europe here:http://cpn.canon-europe.com/content/news/dpp_4_1_50_available_with_support_for_more_cameras.do
There is a list of many additional cameras supported. (Including the 7D I & II & 70D)  I did not immediately see the 1DsIII mentioned

 4 
 on: December 12, 2014, 02:09:07 PM 
Started by KeithB - Last post by Bob Atkins
There are conflicting reports about how well VC works when panning. However a little while ago Tamron issued the following statement:

We wish to notify you that use of the VC (Vibration Compensation) function could potentially increase the probability of image blur when shooting fast-moving subjects, such as racing cars, with a panning technique. Though the Owner’s Manual states that the VC can be effective for hand-held shots under conditions including “taking panning shots of a moving subject,” we would like to ask you to turn the VC switch off when shooting a moving subject to avoid blurred images.

The above-stated behavior is specific to the SP 150-600mm alone because of its unique VC design.

We appreciate your understanding and wish to apologize for any inconvenience this may have caused.


So there you have it. Whether of not VC works when panning is probably a matter of just how fast and steadily you pan, but Tamron clearly recommend you turn VC off when panning. This being said I've seen quite a few "Bird in Flight" shots taken with this lens that look very good, however I don't know the shutter speed that was used.

If you are renting the lens then clearly this is something you're going to want to test for yourself.

 5 
 on: December 11, 2014, 04:05:56 PM 
Started by KeithB - Last post by KeithB
Thanks, Bob, Maybe I will try to catch some airplanes.

Does the tamron have panning modes or auto-pan sensing?

 6 
 on: December 11, 2014, 11:05:05 AM 
Started by KeithB - Last post by Bob Atkins
You can certainly check static focus accuracy using the method I outlined. Manual focus with Live View and 10x magnification should be the best and the most consistent. Regular phase sensitive AF should be close, in fact often just as good, but it can vary very slightly from shot to shot if you look at the images closely. Of course can be due partly to the lens and partly to the camera.

There's no good way to test tracking AF on moving subjects other than to shoot and see. There's really no standard target for that type of testing. You'd need something that could be set to move at a given speed over and over again. Even then you'd be testing the camera and operator as much as the lens!

 7 
 on: December 11, 2014, 10:06:32 AM 
Started by KeithB - Last post by KeithB
Thanks Bob.

I shoot crop with a T3i.

Focus accuracy is kind of important since I have no micro-adjustment available. With the 150-500 I had some sharpness issues at an airshow, which, of course can be a lot of things.

 8 
 on: December 10, 2014, 06:55:37 PM 
Started by KeithB - Last post by marcfs
Bob,

Thanks for the advice on evaluating a lens!!

Marc

 9 
 on: December 10, 2014, 03:48:42 PM 
Started by KeithB - Last post by Bob Atkins
What I do is shoot some pictures!

Typically with a lens like the 150-600 my first step would be to concentrate on the performance at the long end of the range since that's where a zoom telephoto is usually weakest. I'd shoot wide open and stopped down (f6.3 and f8 in this case) and see if I could tell any difference between the shots. For a subject you want something with lots of fine detail, finer then the resolution limit of the lens. Birds feathers are good, animal fur, or failing available wildlife, distant road signs or bill boards with text small enough to be close to and past the resolution limit of the lens. I'd also shoot the same subjects from a closer distance (to equalize the image scale) with the lens zoomed back to 500mm and compare the results with 600mm. For a good lens the difference should be small.

I'd check center and edge, though for telephoto lenses I'd be mainly interested in center performance. I don't usually care to much about high sharpness at the edges and corners of a telephoto shot.

If you want to check out chromatic aberration, shoot something like powerlines against a cloudy sky, putting the lines parallel to and close to the edge of the frame.

You can check out vignetting by shooting a uniform target like the sky. This is easy with a telephoto, withe true wideangles you need a better target since sky brightness can vary over large angles.

I'd also check out the wide end of the lens for distortion, though that shouldn't be an issue with a telephoto zoom.

I'd check AF by comparing regular AF with live view AF and manual focus. Manual focus should be the best, followed by live view focus and then regular phase detection AF. Phase detection AF is fast, but statistically not as accurate as slower contrast detection or even slower MF using live view and 10x magnification. Phase detection AF may require AF microadjustment for best results. Contrast AF and manual are not affected by microfocus adjustment.

Obviously you should also check the other focal lengths, but most lenses perform pretty well in the middle of their range and are weakest at their shortest and longest settings. Typically distortion shows up at the short end (especially when the short end is wideangle) and softness or lowered contrast shows up the the telephoto end (usually due to uncorrected spherical aberration).

I don't know if you shoot FF or crop sensor, but the vast majority of FF lenses perform very well on a crop sensor camera since all aberrations except for spherical aberration get worse as you move out from the center of the frame. If you really want to see how well a lens performs, look at the corners of the image taken with a full frame sensor. However from a practical viewpoint, unless you'res shooting flat artwork or wideangle landscapes that need corner to corner sharpness, the performance in the center is much more important than the performance in the corners.

If fast AF tracking for sports and birds in flight is important, your best test is on the actual subjects you want to shoot.

I'd also shoot the same subject with IS on and off at several focal lengths and shutter speeds to get some idea on how effective the IS system is. 2 stops is reasonable, 3 stops is good, 4 stops is excellent (and rare). Manufacturers all seem to say "up to 4 stops" these days, but 4 stops is rarely the case in practice.

 10 
 on: December 10, 2014, 01:59:26 PM 
Started by KeithB - Last post by KeithB
Consider this kind of a fun topic to just discuss.

I just had my Sigma 150-500 stolen, so I am looking for a replacement. I am renting the Tamron 150 - 600 for a few days for a specific event, but the rental agency gives the option of buying the unit. What tests should I perform, given I only have a few days, that would be good to informally perform to decide if I have a keeper?

(I have already read Bob's lens test article, but I just wanted some opinions of quick informal tests)

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