Entering the Park Avenue Armory is never not a majestic (though words like “intimidating” and “ominous” could also work) experience. All of its dark wooden staircases and gothic chandeliers make a visit feel more like a tour through a historic mansion than the reason I’m usually there once a year: The Photography Show, the annual gathering of the Association of International Photography Art Dealers, also known as AIPAD.
The sun slowly rises against an 18th-century Mallorcan farmhouse in Spain. Inside, seven photographers lounge, coffee in hand, near a cackling fireplace. Sleepy-eyed yet engaged, each weighs in on the discussion: from ethics debates to work critiques to personal disclosures. They have talked through the night and, well, for seven days, about one thing: eroticism.
Is there more to say about Robert Mapplethorpe, the photographer whose cool images of lilies and leather elicited the hottest of controversies in the Reagan and Bush years? So much more, it turns out
The Great Depression remains one of the darkest periods of American history, and pictures from that time usually reflect the experience. They are – typically – grainy and black and white, giving a window into time defined by Hoovervilles, around the block unemployment lines, and people waiting for a piece of bread.Now the Library of Congress has released stunning new photographs that show the period in vivid color, showcasing the strength of families, the recovery of farming and the joys of state fairs as the nation emerged from a dark time.
Most photographers will agree that the secret to getting a great photograph is a combination of timing and sheer luck. Six Indian shutterbugs who are among 270 photographers shortlisted and whose images count among 2.3 lakh submissions for the Sony World Photography awards, 2016, tell us how they got their perfect shots.